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I heard Cream live in '68 I think I was 12.I even recorded it-from the nosebleed seats of the Baltimore Civic Arena the tape sounded like goose farts in a tin can. Interesting review-Despite dumb cliches like "..songs were an unlikely blend .." I don't know why journalists think they should make pronouncements as to what's likely.or unexpected,as if everyone has the same expectaions.Anyway I agree about the competitive quality of cream bringing the best playing out of Clapton.I liked Blind Faith alot,but have mostly found ECs playing since then tastey but lacking fire. On Layla Clapton and Duane Alman sound like they're both soloing at the same time too- alot of it is really cluttered to my ear. Clapton has said in interveiws that the extended soloing embarrassed him and he never did it stuff again.Notably Jeff Beck rather harshly criticzed the self indulgence of the long jams,which the rockers seemingly got from Coltrane and free jazz. I wouldn't expect Clapton to do it,though I'd like to hear them get adventurous,and I'd like to hear Jack Bruce and Ginger Baker kick Clapton's ass like they did in the old days. I assume they defer to him now cause he's the one making this show happen.On one of those Wheels of Fire live things I always thought they'd succeeded in getting him lost-and his repsonse was to play some really interesting stuff. I saw an interview where he acknowledged that he'd gotten off.and that what came of it was good.What I would expect now would be impeccable craftsmanship,which would have course include registering true emotion,at least at certain points. Certainly some of Bruce's tunes tended to be quite dark-so much so that it's a wonder they're considered psychedelic. e Clapton's tones in the old days were really incredible- too bad the writer doesn't cover that -like what gear did he have?