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> I've had one or two tiny revelations over the past few days which have > helped. First, I'm really used to working in BPM, as opposed to straight > milliseconds, so overwriting all the memories with that time measurement > has helped. I posted a bunch of delay formulas a few weeks back, including transforming bpm to ms values. It's part of another big document I'm putting together on, uh, delay formulas and how to use them. > Second, I made a little discovery using the optional FS-5U footswitch >last > night. [snip] I tried using the unlatched > FS-5U with the on/off mode, and it does indeed work. The advantage here is > that the DD-20 only accepts input while your foot is on the pedal. Lift > your foot, and it stops. So, you can play a sustained note or chord, >then > tap morse-code type rhythms into the delay, much like the trigger-gates > used in a lot of electronica. Neat! > > Also, you can reverse the polarity of the pedal with the flick of a > switch. Then, you can have everything you play fed into the delay (don't > worry the normal on/off switch on the pedal still functions normally at the > same time, so you could turn it off entirely). In that mode, the audio > stream will be *interrupted* any time you press the pedal, so you can >clip > out little bits of silence as you record. This is really cool! I wish I had known this before I submitted the DD-20 review to the Kimster. I checked the archives a bit before finishing up my doc, and I saw nothing on this topic either. Maybe you can add it after mine. Douglas Baldwin, coyote-at-large coyotelk@optonline.net "The music business is a cruel and shallow money trench, a long plastic hallway where pimps and thieves run free and good men die like dogs. There's also a negative side." --- Hunter S. Thompson