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On Jun 14, 2005, at 21:45, Hartung, Kris wrote: > Since I started looping and playing mostly improvisational, > spontaneously composed performances, I don't practice or rehearse for > them... That's interesting! I guess it depends on what you actually read into the word "practicing"? I like to practice very much, almost all my waking time, but more in the essence of "preparing". Sometimes the best preparation is to isolate oneself from any music at all and try not to hear music in your head all the time. Very difficult, but if you only succeed half ways it will pay you back enormously when you finally pick up an instrument to improvise. Sometimes I play a lot as preparation, but use a different instrument than I will be performing with. Or I play a different musical style. One of the greatest advices I have ever been given was to never ever practice "the easy way"; When you do a mistake during practice, take it seriously. You have to do mistakes to avoid them or turn them into something good. Do not make a difference between "practicing" and performing! (By "mistake" I'm not talking about a sloppy note here and there, merely the attitude of being lazy, delivering a fad expression which leads to not feeling inspired by your own playing). Before given that advice I did not improve much (musically) by practicing. I'm glad things have changed now. But in a shorter perspective - like the last five to ten minutes before you will perform - it may be a good thing to fool around a little with the instrument without actually playing anything. Just letting your body melt into the instrument while emptying/focusing your mind. I'm very interested in mental attitudes concerning performing and practicing, since it seems to play a very big part for what comes out as music. I would be delighted to read what others think and what you are using for tricks to get it right. Greetings from Sweden Per Boysen www.looproom.com (international) www.boysen.se (Swedish) ---> iTunes Music Store (digital) www.cdbaby.com/perboysen