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 Excellent. Love that GT-3 don't you? I still have mine, but 
it's in storage...bought the Boss VF-1 to replace it, which has amost the same 
sounds. But I don't plan to get rid of the GT-3....very convenient for when you 
can't pack a rack around...just plug your guitar in and go. 
I can't wait to tell my friend that folk have been using 
this prime number, or variation thereof, idea with looping. 
Kris 
From: Douglas Baldwin [mailto:coyotelk@optonline.net] Sent: Tuesday, June 21, 2005 9:16 AM To: Hartung, Kris; Loopers-Delight@loopers-delight.com Subject: Re: Mathematics, Prime Numbers, & Looping with the EDP Kris wrote: How about creating a looped piece by using the multiply function on the EDP and the series of prime numbers (only numbers that are divisible by themselves or 1). For instance, you hit Record and lay down a 1 measure groove, then hit Multiply and record a 2 measure harmony over that groove from the beginning of the measure….hit Multiply to play the sequence, then hit Multiply again and record a 3 measure texture part, again from the beginning of the first measure, and repeat this process with 5, 7, 11, 13, 15, 17, 19, etc measures adding various textures, melodies, etc. After a while you might have to write the song out on paper to keep track of the loops. I've been doing something like this for a while, most recently 
with two Boss DD-20 pedals. Because the DD-20 "only" goes up to 23 
seconds of delay, I've based my work on beats, not measures. But two DD-20s will 
get me ten different numbers. By using their stereo outputs and inputs and 
feeding the output of one into the input of the other, I can build up longer and 
longer patterns without losing earlier ones. I also use a Boss GT-3 which, 
with its multiple user settings, is used for identical patches with different 
delay times. The GT-3 handles the one-, two-, and three-beat rhythms, and the 
DD20s handle the bigger numbers. One suggestion for others on this 
journey: Leave space. The conjunction of emptiness is as exciting (to these 
ears) as the conjunction of melodies/sound.  
Douglas Baldwin, coyote-at-large 
coyotelk@optonline.net "The music business is a cruel and shallow money trench, a 
long plastic hallway where pimps and thieves run free and good men die like 
dogs. There's also a negative side." 
--- Hunter S. Thompson  |