Support |
My relationship with Richard started strangely. It was 1976 or 1977, and we were both taking a class in electronic music, taught by Bob Beede, at Cabrillo College in Santa Cruz. We each thought we were the smartest person in the room. I think that we viewed each other with a little suspicion. This changed when I asked Bob Beede to open for my band at the time's first, and as it turns out, only, gig. My band was more or less called "Your Name Here", although we had just run a series of "Name This Band" classified ads in the local free paper, the Good Times. The gig was in Kresge hall, at UC Santa Cruz. Bob asked Richard to join him for some serious noisemaking. Bob & Richard played with unique, aggressive timbres, but little in the way of structure. Your Name Here was playing complicated, mostly composed music, with way too many parts, time signatures, and key changes. The contrast between the approaches was really interesting. Richard and I came away from this with respect for each other. We've been friends ever since. Richard was really good at networking and keeping in touch. If he was in town, we would usually get together, often with someone Richard thought that I should know. Whe he first got esophageal cancer, he did his usual thorough job of research on the disease, and his prognosis. He knew that the survival rate was not that high for this type of cancer, but he put up the good fight. Around this time we were both alpha and beta testing the Eventide Orville. I submitted a patch that I made, called BellRinger, which I thought Richard would like for two reasons. The first is that it's a cool patch with reverse tapped delays that build to a peak, which is ring modulated, then the ring mod signal hits a normal delay and fades out. The second reason is that Zvonar translates into "bell ringer". I'll miss him. -C -- Chris Muir | "There are many futures and only one status quo. cbm@well.com | This is why conservatives mostly agree, http://www.xfade.com | and radicals always argue." - Brian Eno