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Yes, the first version of the Boomerang only supported one loop, but that was seven or eight years ago. It also received its share of criticism regarding price/performance. Back then there was only the Boomerang and the EDP in production (I believe the JamMan had been discontinued and the Headrush was yet to come), and many people appreciated the straightforward interface and pedal form factor. It was so nifty that Line6 thought it'd be a good idea to pretty much copy the idea as their looper in the DL-4. After many years of dedicated hardware loopers, expectations are higher, and the new JamMan falls short for many people. Had they made it so that you could save the contents of a loop when switching to the next loop without bending over, stopping the loop and pressing a button, they'd have made the thing siginificantly more useful not for ambient soundscape type work, but for traditional song-based singer songwriters. As it is, it appears to me to be most useful for bringing in canned loops from home to the gig, or creating loops at home. Can one make music with it? Of course. Can one imagine the addition of one feature making it possible to do immensely more with it? Yes. Again, I'd love to talk to the project manager for the JamMan or the Loop Station and ask them what their use cases where when they were finalizing the design. Did they talk to musicians with significant looping experience, or what? TravisH On 10/13/05, Janosik <wklemmer1@yahoo.com> wrote: > Seriously, I don't know why some of the "elitists" are bashing the new > Jamman. The old Boomerang only had one loop, if I remember correctly. Did > that make it a piece of crap? > > Maybe the Jamman isn't ideal for live looping if one's goal is to create > soundscapes, ambient stuff or similar, but it has a lot of value and > capabilities, IMHO, particularly in the home studio. > > J