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Two of the features I love the most about the RPTR are the time stretch capability and the pitch shift capability. Like some of you who use this device, I haven't had much luck going in to record mode when I'm time stretched really radically, example: something I recorded at 120bpm now being played back at 10bpm. I'd always get an error message and the machine would not record. Until now. Lately I have been experimenting with really short loops that I can easily morph by going in to replace mode, or using an expression pedal to vary the feedback, and I've found that when I don't tax the machine with long loops, I can go in to record mode even when time stretched. Those of you who know what a RPTR sounds like slowed all the way down, can hopefully get a sense of what I'm talking about. The already surreal sound of your music content being sloooooooooowed way down coupled will the ability to overdub or replace the material at will. Its nice to know that I'm still finding new things about the RPTR. For all of its shortcomings which have been well documented here. It is capable of some amazing sonic manipulation. Bill