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very nice post, mech i learned a lot. i hear your frustration with the status quo and your analogy to the big hair metal days is really a well thought out take on the subject. i think you are exactly right about the number of creative musicians who eschew hip hop for that very reason. As Bjork said, "The laptop if the folk instrument of the twenty first century." Where I live a hell of a lot of the young creativity going on is in the realm of creative laptopery. Unfortunately, a lot of those musicians either feel they have no place to play or are very reticent to put there stuff out into the public so you don't get to see a lot of it. About five years ago I did 7 concerts called the FESCE (festival of emerging santa cruz electronica) where 35 young local artists had there debut in public..............it was great and a scene started to happen but then they closed down the last affordable small performance space in town and it squashed the emerging scene. Luckily in our little town, there have been some changes (that we have fought long and hard for politically) so that there are suddenly a lot of new venues in town and all businesses can now have entertainment for under 100 people in the audience without having to pay a fee. Hopefully good things will come of it. also, i think that Chicago, while having innovated a lot of styles is a very style bound city and in certain respects though having provided our culture with a lot of very cool things it can be a very conservative and slightly repressed scene for all the reasons you mentioned. I do really love some of the more expansive jazz and jazz fusions that have been coming out of there in recent years. I saw the Chicago Underground Duo and LOVED THEM to pieces.................wow, what a great show. Is that scene still pretty vibrant or has the traditional strait jacket syndrome set into the AACM scene too? For Tarwater, please check out the first two CDs they have out. They are, by far the best. There's is a very understated vibe but I think of them as being as creative as anyone in new electronica/trip hop. To Roccoco Rot is the same way. I love there 2nd CD. It doesn't hit you over the head with a hammer but has really understated brilliance imho. It's a constant on the holographic turntables of my wife and I. And is that John Foxx thing, by the former lead singer of UltraVox? oooooooh, I can't wait to hear that. I saw them live early on and really loved them........................right around the time of "Systems of Romance" which sounds surprisingly good after twenty plus years...................a friend just burned it for me. While we are on that topic, have you hear the last thing WIRE did. What incredible guitar tones he's getting.......................it is so minimal as to fake you into thinking it isn't intelligent but I think it is a kind of genius. yours, rick