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I don't use the mini XLR adapter. The mic just goes straight into my preamp and I give it phantom power from there... Anyway. Different for every cellist I've heard. I move it around all the time. Best spot for me is: - looking face on at the cello and measuring straight down from the "C" foot of the bridge - approx 4 inches down and 1 inch to the left. - closer to the bridge the more focused, but also the more thin - farther away gets warmer but also less focused (and boomy) - trick is to find the sweet spot in the middle. -a variation of just 1/2 an inch makes a huge difference. - for looping, I have a new trick....using two mics and a footswitch to go between them. The mics are in different spots on the cello and get different sounds. Then I can record some loops with one mic and some loops with another!! hope that helps! On Mar 2, 2006, at 2:13 PM, Ben M wrote: > Zoe, > > You mentioned that you are using the c411 now, and I am too. I was > just wondering where you stuck yours on the cello? I stuck mine on > the bridge like the picture in the manual suggested, but I am not > too wild about the sound so far. I tried sticking it to the body > between the feet of the bridge, but there was kind of a rattle. > All of this is really nuts since I had to jump through hoops to buy > that stupid mini-XLR adapter. > > Damn that Eric Friedlander! > > thanks! > ben