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As I'd mentioned at the end of May, http://www.loopers-delight.com/LDarchive/200605/msg00936.html I was invited to take a recording of a improvisational percussive circuit-bending performance by Clang Quartet, and use it as samples for a performance. The recordings of my performance arrived yesterday, and I thought I'd share it with you as followup. The result is here: http://www.subscapeannex.com/other/transformation_of_scotty_irving_vol_one.mp3 a single 30min track of room-mic-recorded live looping / processing soundscape. It's a pretty big file even as an mp3, so I'm afraid if you're on dial-up the file size might be too much to deal with. How I came up with the above: For my set, I chose to treat the recording as a monolithic block without pre-sampling or selecting from it, and brought no pre-selected samples from the half-hour recording. Instead, I chose to pretend I was live at the recorded performance, and play the recording into my loopers and effects as if it were a live performance into the effects chain, sampling and processing it as I went along. I used several loopers in the process: an Akai Headrush E1 and Z-Vex Lo-Fi Loop Junky at the top of the signal chain to capture unprocessed chunks of the recording, and a Boss RC-20, Boss RC-20XL, and Digitech Jamman at the end of the chain to capture post-processed chunks. This was also the only time I've ever used a computer in performance: Mac OS X has a wonderful Text-to-Speech read-aloud function built in. I chose an appropriate source text, pasted the text into Notepad, select All, chose File>Services>Text to Speech>Start Speaking and OS X read the text in a voice I picked out from the many different voices I had as options. Hope people like it, or at least were interested in how I came up with it. best, Steve B Subscape Annex http://www.subscapeannex.com/