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Looper's Delight
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Apropos of Feedback, When I first got thethe Electro Harmonix 16 second delay re-issue I started playing with the pitch and feedback controls like a DJ would work a crosfader... wow... I did a show shortly afterwards using the Line 6 and got to a point where the loop was getting too dense and I wanted to be able to drop the whole thing back by a slight amount.. no dice there... Next I became aware that the Repeater has a global feedback setting and I started using it live set to about 66% feedback. Totally different dynamic to a performance like that... everything merges with the night, so to speak. Finally I got the Electro Harmonix 2880, every track has an individual feedback control! You start to think about the permanence of each track and your thoughts begin to organize themselves in interesting ways.... -CZ >--- Paul Richards <paulrichard10@adelphia.net> wrote: > > >> The argument about feedback seems to be like someone >> complaining that a automobile is useless because it >> doesn't have a truckbed. So what? Many folks don't >> need a truckbed (or feedback). >> -- > >Here's my thoughts on that: People who think they >don't need feedback control on their looper don't know >what they're missing. My guess is if they spent some >quality time with a looper that has it they'd never go >back. I could be wrong. The ability to do both >totally rocks my world. I've set up Mobius to give me >1 track where I put 1-4 loops. Mostly I toggle >between them with feedback on 100% or build them with >feedback <100% but set it to 100% when I get it the >way I want it. Then I build a second stereo track >with feedback permanently set <100%. I'll open and >close that one from time to time keeping that plate >"spinning" while I toggle between my first track >loops. >Mark > >__________________________________________________ >Do You Yahoo!? >Tired of spam? Yahoo! Mail has the best spam protection around >http://mail.yahoo.com -- ... http://www.zmix.net