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That's exactly what I like to do. I like to have my recording environment ready to go and whenever I start playing following a warmup, I record. The amazing thing is going back and listening to stuff that was recorded in the past. I pulled out a box of zip disks no less that I recorded using a Roland VS-840 rig and have been previewing them. Many songs I never committed to CD because there might have been a sour note or perhaps portions of the song were not terrifically inspiring, hence they haven't seen the light of day for 5 years or more. BUT, I've noticed a lot of the old stuff sounded pretty darn good and even the lower eschelon ones had some sections that warranted cutting out and using as separate pieces. -- Paul Richards ---- David Kirkdorffer <vze2ncsr@verizon.net> wrote: > I used to record my jams to a cassette deck even. I'd just record things > for a few weeks. Then I'd go back and listen to them. Very often I was > surprized by what I discovered. The distance would help divorce me from >the > emotions I had as I played them. Mostly things seemed to get better. > > I totally agree that while the process can be interesting ultimately it >is > irrelevant to the end result, which needs to be "good music" in and of >it's > own right. > > David > > ----- Original Message ----- > From: "gareth whittock" <gareth@whiteoakstudios.freeserve.co.uk> > To: <Loopers-Delight@loopers-delight.com> > Sent: Monday, July 31, 2006 4:24 AM > Subject: Re: process Vs product > > > > I think Tangerine Dream worked like this. They'd record hours of >jamming > and > > cut it into shape for an album. > > Anyone here doing this? > > > > Gareth > > >