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>OK, I'll bite. thank you > So is it possible to venture a theory of sound structure creation > through the use of loops? I don't see why not. >the fact that purely repeated acoustic material becomes nauseatingly >tedious without some, however subtle, change. That is, the sound >must be affected in some way in order that the repetition produce >some meaningful or desirable effect. actually there's a whole load of ways to keep a loop interesting without having to post process it, Subject: Techniques to stop loops getting boring if that's of interest >I'm not sure that looping, loops or loop manipulation presents new >possibilities in so much as they present new insights into something >that was there all along. For me, there's new possibilities. > What becomes interesting then is the notion of complex loop > clusters becoming compositional structures, something like a > loop-network, and allowing repetition, and hence looping, I don't think the looper has to be complex, it's the ability of the player to control the device which creates the interest. >a metonymic capability for understanding the world around us. ahhh...that beats me, what's it mean? Kris? anyone? >cheers >omjn andybutler