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Looper's Delight
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>>My final question is this: Is there any recommendation for a stand-alone live looping tool (no
laptop or software or MIDI required) with a well-functioning foot controller, and no significant
noise issues, suitable for looping live miked acoustic instruments? [snip]<<
sounds like you are close to your wits' end there. I would begin looking for a decent 2nd hand original jam-man if I were you. nice quiet switches, basic standalone operation......
but are there really no musically-inclined techs in your neighbourhood who could help you re-engineer the EH footswitch controller into near-silence?
half the problem is the clunky switches they use, believing that this things are only going to be used by lead-footed guitarists & that only a fuzz-box switch from 1972 is going to be tough enough.
about 90% of the remaining problem is the tin box that EH are so sentimentally attached to; is it really cheaper &/or more desirable to bend silk-screened monkey-metal than to cast some chunky aluminium? then why do MXR, line6 et al use the latter?
I would that this engineering challenge were a little closer, geographically.
ironically, my guitarist would be in the market for trading his lexicon footswitches (& since he is occasionally using two jam-mans, there are potentially four lots of double footswitch to keep track of, in the dark) for something with six noisy clunky fuzzbox switches on it (hell, he doesn't care- he's using three distortion pedals at once into a marshall stack & a fender bassman) that would drive both jam-mans from one small bit of stage real-estate.
& the original lexicon jam-man pedals are as quiet as anything.
where are you based, brainpan?
duncan.
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