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On 1/5/07, a k butler <akbutler@tiscali.co.uk> wrote: >> I hadn't realised that the edp could also send a pulse for >> beatsyncing, >> ...anyone got the details for that? Not more details than that it works fine. I once used it in the studio to sync several EDP takes as a traditional multi tracking recording session. First I recorded the EDP Beat sync pulse output on a separate track. This "beat" track were then used as the sync source (equalling André's "beat sync master" EDP in the related NYC gig setup) when I recorded several other tracks with the EDP, one after the other. The rest of this multi tracking EDP session may also be of interest for those who care to do recordings. I did not record the audio output of the EDP - I recorded my audio input (live played instrument) plus the MIDI control data sent to the EDP for looping, cutting, reversing etc while I was playing he instrument and live looping. Then I recreated the improvised EDP performance by feeding the (now beat synced) EDP the recorded live audio and the MIDI control data I had played at the same time during the tracking of the performance. The point in doing this was that I could put different layers and parts of my EDP improvisation as different audio tracks in Logic and mix it all in a more orchestrated way (different filtering and effects on different EDP sections). The alternative would have been to do as André and borrow a rack of EDP's but at the time I didn't know any one at all in this country except for me that had an EDP. Today I do not separate looped layers for different effect treatments because I think it disturbs the process of musical improvisation. Instead I have gotten used to play also the effects, as I play an instrument, and record them as part of different layers in the same loop or parallel loops (stereo looping in Mobius). Eventually I'm going back to a more "composing" method in the future as I'm now moving into using the EWI a lot more. With the EWI I can record its unquantized MIDI output, which gives you the option of finalizing the sound afterwards without harming the musical performance. But that's just recordist geek talk that doesn't rely much to a live situation. Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) http://tinyurl.com/fauvm (podcast) http://www.myspace.com/looproom