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Experience with the pitch shift problem trying to record each side separately proved to be a real pain in the neck, and awfully uncertain in terms of results. I could clearly detect sync problems - and this was with a tape using a marking tone. In addition, since there are close to fifty cassettes to go through to remaster - yes, the world will be subjected to some of it! - I need to do it with a four-track 1-2-3-4 layout, and want to have a better tape transport going for it than a standard cassette deck can provide. I can't take the chance of any of these fellas getting chewed up either. To my credit these tapes are probably the best-stored items I own... :) From: "Daryl Shawn" <highhorse@mhorse.com> > That's a brilliant solution, I have to say. I imagine almost any editor > could do the simple assembly after the import. Sounds like in Stephen's > case the pitchshifting wouldn't even be needed. > > Daryl Shawn > www.swanwelder.com >> I used a regular good-quality cassette deck to archive my old 4-track >> tapes. >> Recorded them to computer in two passes - two tracks at a time. Then >used >> Cooledit to reverse the two that come in backwards and pitch shift them >> all >> up an octave. Then reassemble and mix in Cubase. That was soe years >ago. >> I >> think I've lost both the tapes and the Cubase files since then! >> >> Nik > > > > >