Support
Looper's Delight
|
Support |
|
|
Well, there's nothing new under the sun . . . and I'm sure it didn't originate with me either for that matter. But I did a performance in 1989 in Ventura CA, with lovely Bay Area vocallist Liz Stuart, called "Vox in Box" where she sang her own interpretation of a non-standard graphic "score" I'd concocted for her while I looped her performance with a pair of Electro Harmonix 16-second delays, ring modulators and envelope followers . . . along with a Roland pitch-to-MIDI converter and an array of synths and samplers selectively shadowing her vocal gymnastics.. I've wanted to do it again ever since but just haven't found the opportunity -- and I've sold off (or given away) most of that old gear in the meantime. -- tEd ® kiLLiAn "Different is not always better, but better is always different" Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076 http://www.pfmentum.com/flux.html http://www.CDbaby.com/cd/tedkillian http://www.guitar9.com/fluxaeterna.html http://www.garageband.com/artist/ArsOcarina http://www.towerrecords.com/product.aspx?pfid=2845073 http://www.netmusic.com/web/album.aspx?a_id=CBNM_17314 http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193 http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042 Ted Killian's "Flux Aeterna" is also available at: Apple iTunes, BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster, AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream, RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks, and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So??? ---- Brian Good <bsgood@adelphia.net> wrote: > nico spahni wrote: > > I'm working on a new experimental music project by the name of CAM > > (Coincidental Audio Manipulation). This is the concept in a nutshell: > > > > An improvising musician and a sound manipulator interact musically >with > > each other in real-time. > > > > Here are some first attempts with two piano players: > > > > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_1.mp3 > > http://www.recpro.ch/mp3/sylvie_leideritz_and_cam_2.mp3 > > http://www.recpro.ch/mp3/alain_bollag_and_cam.mp3 > > > > I find the idea of looping someone else rather intriguing. Both > > participants (the looper and the loopee :-) can explore new musical > > territories that would have remained unapproachable by playing on >their > > own. Also, I can fully concentrate on sound processing while a >musician > > does the playing. > > > > Do you think this project is worth persuing? Is there anyone who has > > worked in a similar direction? I'd love to hear about your sonic >ventures. > > I did something similar two or three years ago. I fed my soprano sax > into Tim Walters' laptop, and he did all kinds of real-time damage with > a bunch of Supercollider code he had written. Unlike your stuff, it was > monophonic, but Tim's processing was so creative that the results were > still interesting, at least to my ears. > > > Brian >