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> RICK WALKER schrieb: >> If the performance (and musician) is not so important and only the >> music is, why will people NOT pay to go see a show where you just put >> your latest recording on with a fantastic sound system? On 22 jun 2007, at 12.02, Stefan Tiedje wrote: > In France there is a well known festival/competition in Bourges > dedicated mostly to pure tape music. (The term tape is used for > completely prerecorded/produced in the studio). And at GRM they > have a special loudspeaker orchestra to play this kind of music. In > this case it will be mixed live, but the performer is not on stage > and out of focus for the audience. > This tradition exists since more than 50 years... That tradition is also alive in Sweden. I personally discovered it in 1980 and spent a lot of time traveling around here to catch up with "playback sessions" at any of those gorgeous sound systems. *The point is that the music was composed and produced for a dedicated system, surround or whatever, and then a festival assembles such a system to play it back to the audience. Even though it's possible to set up rather complex sound systems for live performance it is quite a different league when the music is carefully composed for the system. (Last year I was lucky to play improvised live looping over a 18 channel/speaker system that covered all four walls plus the ceiling. A collaborator used a Laptop with PD to run live distribution of frequency bands over the speaker channels) Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) http://www.myspace.com/looproom