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I find live performance to be quite random enough just by having two other band members engaged in improvisation with me. we do have randomness in a more granular form, though, by using noise & other random/s&h signals for modulating otherwise sterile sound sources. I like the idea of a sampler that plays random samples each time the same note is triggered, though I would use such a technique for small timbral variations rather than lucky-dip stuff. in fact, I do something like this with my mellotron samples in an emu proteus "rompler" fitted with flash-ram; four samples of the same note can be stacked & the preset programmed to switch or crossfade amongst the four layers at random. d.