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On Jul 5, 2007, at 5:02 PM, Travis Hartnett wrote: > I believe that was actually DAT recorders that were to have the notch. When DAT machines were introduced as a consumer product, they were introduced with a fixed sample rate of 48k so that people could not make digital clones of CDs which are 44.1k. Film and TV post houses adopted 48k as a new pro standard (probably because the 48k only machines were cheaper) causing hell and confusion for people in the audio industry. Pro DAT machines could work at either sample rate. Ronan Chris Murphy www.venetowest.com (Production & mixing: King Crimson, Chucho Valdes, Steve Morse, Terry Bozzio, CGT...) www.homerecordingbootcamp.com (Workshops around the world teaching the art and craft of recording ) www.livesofthesaints.net (The hottest ambient noise duo since Sonny & Cher) > > TH > > On 7/5/07, bill bigrig <billbigrig@yahoo.com> wrote: >> Howdy, >> >> Does anyone remember the big battle to notch the >> frequency of CDs to disallow duplication? One more >> example of record company greed. >> Rig > >