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> wasn't there a King Crimson studio album recorded by setting > up a pa and micing in stereo? I don't know about that, but there is a King Crimson live album "B'Boom" which is the official version of a bootleg recorded from the FOH board. The talkmaster Fripp goes on to explain why this isn't the best possible result for live recording. > The ideal would be a 4-track recording with stereo foh and > ambience mics. Now, to minimize effor for Krispen here: why don't those people who really need the aforementioned 4-track setup do a recording of the signal they send to FOH? Especially for laptop users, this is accomplished extremely easy (and even comes without yet another pair of steps through converters). Last year, I did record (most of) my performances inside of the laptop, so I actually would have preferred Krispen's microphone setup over the FOH recording he did last year. Rainer