|
Support |
![]() |
![]() ![]() ![]() ![]() ![]() ![]() |
> Not only can you swell picked chords beautifully, but it
> works really well if you apply it to a transposed guitar in
> addition to the one you're playing. So, you can play one
> note normally, then have a transposed note (say, up a fifth)
> fade in as a harmony over the note you're playing. Sweet!
This technology (unlike the per-string pitch shifting btw) works also
really
well in the Roland VBass. Doing this effect on a per-string basis really
removes the problems the monophonic implementations have - a fact that is
also true for the "Fretless" instrument model of the VBass which, contrary
to other fretless simulators, is really useable.
Rainer