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> Not only can you swell picked chords beautifully, but it > works really well if you apply it to a transposed guitar in > addition to the one you're playing. So, you can play one > note normally, then have a transposed note (say, up a fifth) > fade in as a harmony over the note you're playing. Sweet! This technology (unlike the per-string pitch shifting btw) works also really well in the Roland VBass. Doing this effect on a per-string basis really removes the problems the monophonic implementations have - a fact that is also true for the "Fretless" instrument model of the VBass which, contrary to other fretless simulators, is really useable. Rainer