Support |
Since we're talking mixing and mastering, here's a follow-up regarding reference monitoring: When you guys are checking out your mixes on other systems (we're talking car stereos, home stereos, boomboxes, etc.), do you normally test with that system's tone controls set flat, or turned to the typical user's settings? I recently ended up with one mix that sounded pretty good when I checked it on a stereo with the typical "smile curve" EQ. I got similar results in the car with the same treble and bass tweaking I normally do during everyday driving. Yet in both cases, when I switched the EQ to flat, the whole mix went amazingly lifeless. Without the normal twerks, it became overall kind of 'meh...'. As an experiment, I tried the opposite -- mixing for a flat reference system -- which then resulted in the exact opposite: a mix that sounded okay with no EQ, but was obscenely overhyped with only the slightest user customization. In the end, I mixed for what I figured the end-user would most likely be listening to, but I've not really encountered a situation where it made such a marked difference. Has anybody else run into a similar issue in the past? --m. -- _____ "I want to keep you alive so there is always the possibility of murder... later"