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Bob Weigel wrote: "But I think the whole idea is...with the Robo you can just hit a button while you are playing the thing and have it go drop D tuning for instance" This is exactly what is exciting about this invention. In that sense, it allows one (as with something like an Echoplex) to make music that has never been made before. Touring briefly with Michael Manring, it was wonderful to see the new music for bass that he is creating by using hipshot D-tuners on all four strings of his Zon Hyperbass. (I think he also has some kind of customized mechanical retuning bridge as well, but I'm not sure how he uses it-----anyone want to chime in here?) He will play beautiful ringing harmonic passages and then flip a D-tuner on one or more strings and the Harmonics will gliss down to their new tuning , as they are ringing out. It's an ethereal and beautiful effect. He makes music I've never heard from any other bassist that I've heard live or on record. One could be cyncial as say , well, it's just a gimmick or a trick, but then again, so is a hammer on, or a harmonic or flamenco flail, or, or, or........ I have a really beautiful capo called a 'Rolling Capo' that you can barr chord retune in the middle of a passage, which is really cool as well. One beautiful thing about this (and I am a very primitive string player so I'm no expert) is that the harmonics change on the instrument as you change the tuning. If you are playing against a loop in the initial tuning of the instrument, this allows for all kinds of reharmonizations that you never hear on a straigth single tuned string instrument. The same thing can be approximated using false harmonics but the harmonics on an open tuned instrument just resonate wonderfully and sound better imho. I also found this interesting capo called a 'Third Hand Capo' that allows you to fret (or not fret) anyone one of your six strings, throwing the instrument into a new open tuning. I've been experimenting with using the rolling capo to capo up the guitar and then changing the tuning above the capo with the 'Third Hand Capo". Anyone know of any partial Capos that are out there? Are there dulcimer Capos, perchance? I'm able to use capos on my two strumsticks (which are like walking dulcimers to produce really beautiful harmonic results (frequently modal ones, just becuase I love the sound of modal harmony and it's easy to play..............lol).