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I've been actively using dedicated digital looping devices since 1995. I own and use five different live looping hardware technologies: the Line 6 DL-4 the Electrix Repeater the Gibson EDP with loop IV software by Aurisis the Looperlative and now, a KAOSS3 pad by Korg (which allows for midi synchronized looping and resampling of loops). I also have hosted over 200 incredible live looping artists from 12 countries at the annual Y2K series Live Looping Festivals and seen or heard part or all of their sets so I know a thing or two about what's out in the world So, it is true that if I had to go to a desert Island with only one live looping device that I'd take my Looperlative with me. However: I've seen Andy Butler and Andre Lafosse do mind boggling work with their EDPs (that have a less than impressive Apple IIC processor in them and are mono). Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at times with his bare toes!!!!); Bill Walker impress everyone with his work on an Electrix Repeater (and now, an LP-1) I've seen Kid Beyond do amazing things with a laptop running Ableton's Live; Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/MSP: Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius Michael Klobuchar bend heads with a Boomerang I don't even know what Stan Card or Ted Killian use...................they just fucking tear it up , live!!! ****************** So, constant obsession and endless bickering on this list over the years about 'what's the best live looping device' always leaves me bewildered. It's no more a helpful discussion than asking, "who's the best live looper". These things are instruments and , in that sense. The real question is: How do we use our respective live looping devices creatively and, even more importantly, what's the music like that we create. respectfully, Rick Walker aka looppool