Support |
The question always says more about the person than the answer <SMILE>. And it's a good one, Rick. There are days when I think that 16 loops/tracks would not be anywhere NEAR enough. But then, I probably really do take a different approach than most, as I see a loop as an instrument or voice to be used. Do I regularly use that many loops in live performance? Hard to say, because my hardware setup won't allow that kind of direct proliferation. In studio practice, I certainly use that many voices and more. The point about timbral masking is a very good one, and in live practice can be a very tricky one to address. As an artist, isn't it all about coming up with solutions to solve a problem (however prosaic that may sound!)? Best, Dennis On Sat, Mar 29, 2008 at 6:33 AM, Rick Walker <looppool@cruzio.com> wrote: > The loop linearity thread made me think: > > I've noticed that despite the ability to have > 8 stereo tracks in the Looperlative (or to run > multiple instances of Mobius, Augusts Loop, or a > Max/MSP or Ableton's Live looper) > the most loops I ever use in a song are 5 and > usually I only use 2 or 3 maximum. > > I just find that timbral masking occurs if one is constantly trying > to add layers to one's compositions. > > How may loops do we use, I wonder. > > What are the aesthetic pros and cons of multiple layers of loops? > > As I pointed out, Mir O brilliantly uses tons of layers of loops but > his piece at Y2K6 took up the better part of his 30 minute set. > > It was really beautiful but this is a fairly unusual instance from my > experience > hearing hundreds of loopers from different countries. > > How many loops do us use simultaneously? > And why? > >