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I also use the RC-50 in a funk/dance band. Live looping is not the main thing here and this is were the RC-50 really shines imo. Our setup: the SUB outs send a percussive sync track to our drummer. This allows me to use tempo synced arpeggiators, sequencers, drum loops, delays etc. The other 2 RC-50 tracks are used to create soundscapes together with a TC D2 or DD-20 delay and the output are only send to the MAIN outs. I try to keep the "sync" track as clean or percussive as possible. This way, it's a lot easier for a drummer to follow the tempo of the RC-50. Works great in band. Summary - tempo sync => INTERNAL = master - track 1 => percussive loop => SUB out => send to drummer + own monitor/pa - track 2+3 => soundscapes => MAIN out => send to own monitor/pa Sjaak > But it can be the master. > On Apr 22, 2008, at 10:38 PM, Teddy Kumpel wrote: > > > sorry to be the bearer of bad news, but... the RC-50 is useless if > > slaved to someone else's master clock.