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I'm still not getting why a few people think the RC-50 is 'useless' as a clock slave. And thanks for the tips -- very helpful. Scott On Apr 23, 2008, at 10:19 AM, Sjaak wrote: >> Are you starting with preloaded custom WAV material on the phrases? >> Also, do you send the builtin guide track to the drummer? > > Depending on the genre of the song, we use different methods to > "sync" the drummer to the RC-50 and my synths. > > 1) 1 preloaded sample + 2 live loops > The reason I use the RC-50 here is that most dance songs are built > upon typical drum loops you can't re-create live easily: you simply > need technical "perfect" loops for this genre. Prerecorded material > is a solution for this problem. The other 2 tracks however are used > to create loops live on stage. > > 2) RC-50 guide track + 3 live loops > The guide track can be send to the drummer using the SUB out's, but > it's not send to the FOH PA. I can now use all 3 tracks to create > live loops if I want. > > 3) Live loops only > I don't use this scenario together with the dance band, but only > when performing solo to create ambient type of songs. I then also > use the feedback "workaround" here using the AUX in as well as > unsycned tracks. This is the "real" looping and most interesting > stuf imo :) > > To summarize: I use the RC-50 both for looping and as a master click > track. > > Sjaak > > -- "There is only one music." - Jonas Hellborg