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Quoting Rick Walker <looppool@cruzio.com>: > > Matt Davignon wrote: > "Things that are not OK: > The OK/Not OK issue is a test that I apply only to myself. It occurs to me that what I would consider "cheating" for me (a composer/performer/improviser) would be "ok" within someone else's artistic space. For every thing that I can think of that I personally wouldn't do, there is at least one celebrated artist who has done those very things. I have to conclude that the only thing that is not OK for me is to: try to be someone that I'm not and/or try to be all things to all people. Whether I happen to compose a work that uses my own pre-recorded material or is entirely live, I simply do what is necessary for me to realize the result that I want. > > John Foxx was really > interested in emotions and lack of emotions: machines interacting with >human > beings. > Yes! Yes! Often when I perform a work, I look for a crescendo of emotion the same as I look for dynamic, tempo, texture, and rhythmic changes. Often times, there is more excitement and tension from "holding back" than from "giving 100% emotion 100% of the time". > > To me, the artificial was far more exotic and enticing. > I think the beauty of analog synthesis is its failure to replicate acoustic instruments. > > Even trying to emulate a drum machine perfectly is fun for me because > I'm a human being and can't do it. It's just fascinating to me the >really > minor imperfections that occur when attempting to do something silly like > this. > In my looping works, I discovered that not all loops have to be played by looping hardware. Sometimes I just play the same phrase over and over in real time. In fact, I try to play it mechanically enough that it really SOUNDS like a loop. I have found this a most effective technique. > > Personally, I have to confess that the preoccupation of many musicians in > their attempts to never have anything repeated is actually more >irritating to > me than the ones who are guily of repeating things over and over. > Always a balancing act between repetition vs. meandering. Too much of either can be boring. How much is too much? Heck, I don't know. > > That's my take on it, though it probably won't be the most popular on >this > list. > Raising my coffee mug in a toast to Rick, Matt, and everyone else here. I am grateful for this thread ... it gave me some ideas for some new music. -- Kevin