I’ll put a plug in for the Tonelab.
I’ve used one* in my solo loop rig (through an EDP and Bose L1) for about
five years, and it has served me well. I have a variety of programs I’ve
created for it, from fairly classic Fender Bassman, Twin and Deluxe timbres to
driven Marshalls and Voxes. There’s little chance that they’d fake
out a trained ear, but compared to having another open mic onstage and a heavy
amp/cab to lug around, this is a nice arrangement. The Tonelab has one 12AX7
in it, which makes it a lot warmer than the Pod products (I also have a Pod XT
Live I use as a pedalboard with the band). Since my music begins in blues and
wanders into jam and ambience, the ability to cop, say, an Elmore James tone
from his early 1960s Fire recordings is nice—just put it on the Twin
Reverb patch, switch in the built-in overdrive pedal and add a bit too much
spring reverb—and there it is. Of course, it helps to play a $40 early
60s Prestige two-pickup Japanese import, too…
*I have the small blue-box Tonelab, not
the pedal version. The only drawback to it is playing outdoors; the red LEDs
get swallowed up by sunlight or ultra bright stage lights.
dave
micdave@hiwaay.net
To:
Loopers-Delight@loopers-delight.com
Subject: Re: OT: Getting that tube
amp sound w/o a tube amp
get a couple amps! One
(or more) for looped part(s) one for solos. That way you don't overload the PA.
Just a thought. But this is what I'm working towards with looping. It works
well now with the RC50 but I have no idea how it will be if and when I upgrade
to a better setup. I'm now pretty much convinced I'm gonna have to take the
plunge into Powerbook land... but I don't wanna. After 25 years of using music
software, I've developed a healthy fear of new programs.
I haven't used the Vox Tonelab. Haven't tried many modelers since they first
came out. I wasn't wild about them then. Luddite.
I love the sound of a good amp. So much character and bhava. A hot tube is a
sensuous thing! And a whole host of them is an orgy.
I'm sure someone's already said this, but why not mic the amp(s)? IS that a
routing issue with EDP?
But I've enjoyed listening to lots of stuff in this group that's done with
modelers etc. So it can be done! But to me, a good amp makes it so easy.
richard sales
glassWing farm and studio
/color>vancouver island, b.c.
www.glassWing.com www.richardsales.com
www.hayleysales.com www.joannesales.com
www.blueberryfieldsfarm.com
www.broombusters.org
/color>/fontfamily>On 24-May-08, at 11:31 PM, Adam Hart wrote:
I
am looking for a way to get a nice warm tube overdrive (strat) thru my PA (bose
LP1) without micing a guitar amp. Since I loop (EDP) I don't want my
guitar coming out of an amp and PA during the recording phase and then only out
of the PA in the looping phase.
/bigger>/bigger>/fontfamily>
Any ideas on how I can get a
nice tone from my Strat w/o micing a nice tube amp? do I need a tube
preamp? My tube screamer sounds great into a tube amp, but sounds really
ratty through the PA. Is there a PA screamer?
/bigger>/bigger>/fontfamily>
Best,
/bigger>/bigger>/fontfamily>Adam
/bigger>/bigger>/fontfamily>