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> I've tried messing with the rig in various ways but I keep > getting horrible digital distortion which very well could be > related to the behrenger (admittedly it was given to me as a > cast off from a friend). The way I understand you, the Behringer is an analogue console, so how would you get what you call "digital distortion" from it? (I guess you mean the kind of distortion you get when you drive (cheap) A/D converters with too hot a signal). One device that is well-known for having not enough headroom and reacting ugly to even very short spikes is the Vortex (Eighties' converters), but I would believe that you already thought about that. Then of course, the Fasttrack may also be the culprit (depending on how its inputs are configured and with which source you hit it). Although both the OC2 and the G# are digital devices, I would rather not expect them to show the problems you describe - both of them have sufficient headroom to allow you even to feed a +4dB signal into an input designed for -10dB signals. An approach would be to analyze your gain structure using a VU or peak meter and comparing your readings with the required levels of each device. Then use input and/or output gain where available. Rainer