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Hello again, Having already thrown one post into this highly interesting thread I just came to think about something I forgot to mention. To me looping is not about "technology" but rather about contrapunct and the option to play many musical lines at the same time, improvising composition and arrangement as you go. This is what I like with looping and especially when using monophonic instruments like wind and reed. If not having access to electricity I would not only play more in ensembles, as was my first answer. I would also go back to more guitar playing - since that is my first instrument and well polyphonic to let you do instant multiple parts. I guess the Chapman Stick is out of the question, being an electric instrument? Too bad, because that has been on my wish list for decades, together with a bass clarinet. As for number three, I would not quit air and reed playing but concentrate more on the psychedelic aspects; like creating imaginable ("implied") lines for contrapunct only using the tools of what you physically play. Playing with looping machines makes it easy to explicitly play out all those psychedelic aspects, which of course effectively kills the magic since it makes people hear the cool stuff with their ears and not inside their mind. So maybe a little less electricity would be good for the music... Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen