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On Wed, Jan 7, 2009 at 3:36 PM, Rick Walker <looppool@cruzio.com> wrote: > Anyway, I've gotten quite good at using my fingers to toggle between >the > pickups as you say and then use both feet as a kind of syncopated double > bass drum > dealy where I'm turning octivers, octave fuzzes and fuzzed boxes on and >off. > > along with octave manipulation of the Line 6 half speed/regular > speed/double speed petal, > I can get some really intersesting and unusual rhythms that are all >manually > controlled. Yeah, big point actually that it is manually performed! I like the sound you get from doing that on two loopers that doesn't quantize the commands. Takes a good timing to do it right. And it looks cool as well. When sitting on a chair doing that rapid double footwork you look like a human cannon ball ready to get fired right at the audience. Love it! I had a similar "mental cartoon" experience from watching Jeff Kaiser sitting on a chair, trumpet in mouth and legs spread out to frenetically manipulate two expression pedals. While Rick looks like an armed human missile Jeff looks like an angry attack duck surfing right towards you from a busy stream. Michale Peters should crank out a Flash Cartoon on that! ;-)) in poisonous green and angry red colors with some nasty small details in black. Greetings from Sweden Per Boysen - www.perboysen.com