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Andy, you do not specify which of the items 1-10 you mention are actually hard requirements or if there are any other soft requirements, but... Some people have suggested the FireworX: while the FireworX offers a lot of great options (great flexibility in routing structure, including the option to insert an external device into the signal chain via the s/pdifs, lots of modulation options, including pitch detection and a pattern sequencer, great digital lo-fi effects), I've always found that it lacks processing power seriously, given its richness in features. You typically max out at 3 to 4 processing blocks (and some of them are only available once, e.g. only one filter at a time), so this may limit you a lot if you want to process two mono inputs separately. The fact that it only has XLR connectors is not a showstopper but somehow impractical. Btw, maximum delay time if I remember correctly is something like 2.9 seconds (mono). Summary: it's by far not as cool as it looks, because of a lack of processing power. However it has a lot of flexibility which only a tiny few (read: Eventide H8000 etc.) effects processors have to offer. And the lo-fi/digital dirt effects are a welcome addition. Now something for the "bizarre and unsuitable" reign: enter the Clavia Nord Modular G2 Engine. 1HU in size, this device (which is basically an extremely flexible virtual modular synth) doesn't have any front-panel knobs or displays of any kind - so some kind of solution for patch change is needed - and for effects editing, you actually need a computer. Why do I recommend it anyway? Lots of processing options! Tons of flexibility! And you even get a free synthesizer! I have been using the Nord MicroModular (the previous model's tiny version in a small tabletop case) a lot - however that old one only had minimum delay capability. A great thing! Highly recommended! Claude Voit used to use one to pattern-sequence his EDPs. Rainer