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Anyone who knows music and listens to that album can hear that the reviewers did not always describe it correctly. In fact the musicians did not play more in a modal way at all. What happened was simply that no one explicitly played the rapid chord changes, as usual in be bop. But there were definitely be bop style rapid chord changes in the music! You still hear the chord vamps - as understood - in every soloist's lines. My guess is that reviewers took an easy ride on the work, thinking "well I don't hear the usual piano banging every eighth note to mark out the chord vamps - guess that must mean the soloist is improvising more freely... eh... like in modal style". Wrong. The truth is that many of the song's lead lines will work just as well if a jolly good banjo player would sit in to strum those rapid chord changes. The cool thing with that record IMHO is rather that they still played be bop but doing so while sonically leaving out much of the sounding be bop characteristics - the explicit marking of rapid chord changes. Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com