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You know, you can spend a lot of time and energy on the mastering project, but I swear some of the best armature mixes I've heard came from a guitarist I used to play with. All he did was run his master buss though a light compressor, graphic EQ and a DBX exciter. (all hardware, this was pre-computer daw). One day I caught him in the process and what he did was first run a song with a similar feel though the setup and look at the display on the graphic EQ while in bypass. He then ran his program though it and tried to use the eq to get the same look in the audio spectrum. Hilarious. He admitted he just used this method as a starting point, but the real truth is, in the end he probably really good at listening. I suspect the spectrum display was probably more of a placebo than anything else. He was only doing 4 track cassette recordings, but his always sounded great.