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On Thu, Aug 6, 2009 at 12:08 AM, Rainer Straschill<moinsound@googlemail.com> wrote: > Now obviously, if several singers were doing that in a homphonic > passage, then they all would do that glissando with a slightly > different timing - which would mean they wouldn't be in exact > intervals during the glissando. > Now this sounds especially ugly if you are moving in parallel in very > pure intervals - prime, octave and fifth - so this was to be avoided. > > Just my historical two cents. Very interesting historical two cents. Wonder what those early Baroque era people would think about the multi glissandi THX jingle! :-) Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com