[
Date Prev][
Date Next] [
Thread Prev][
Thread Next]
[
Date Index][
Thread Index][
Author Index]
Re: Bill Walker LP-2 demo
Ok y'all, I'll try to respond to everyone at once,
Daryl, the reason I didn't demo on the LP-2 was because Barry
Cleveland surprised me by asking that I do a short clinic on looping,
and I wanted to accommodate him and also be in my comfort zone , as I
had no chance whatsoever to work with the Lp-2 before this video was
shot on Saturday, that's how down to the wire we were with the
prototypes. I'll post some stuff to Youtube soon.
Chris, as Andy pointed out, Quantize replace is a different
animal than momentary replace, though I suppose one could achieve
similar results . On the LP-1 which I was demoing using quantize
replace, you can very the factor from 1, which would replace the whole
loop, up to a factor 128 which would divide the loop in to 128 equal
parts, and only replace 1 of those parts when ever you engaged
quantize replace, I was creating short loops and replacing with a
factor of 16. On the LP-2 there are a handful of preset quantize
replace functions including some odd meter sub divisions, as Rick
mentioned previously, which which were culled from the LP-1.
Andy, Yes I've seen you use quantize replace using the EDP
before at the Henry Miller library in Big Sur, among other prestigious
locals. Seeing both you and Andre LaFosse use it so masterfully, is
what made me shy away from using it in the first place (as in, holy
shit they do it so well, must avoid risk of being compared) when Rick
first informed me that it was being added to the LP-1's feature set.
Having been a Repeater user before the LP-1 came along, it wasn't till
recently that I tried using it and started to understand its
potential. Like other "play the machine" type techniques, its yet
another interesting strategy that can stimulate happy accidents and
spontaneous creative inspiration. I'm digging it and trying to use it
in my own way.
Brian, thanks the Lp-2 will be a cool machine. I Love mini
humbuckers, fatter than single coils but not as tubby sounding as
standard humbuckers, The guitar is a parts o caster, the body was
originally a hideous blue color that I bought from Warmoth several
years ago and stripped to reveal a nice quilted maple top over a
chambered swamp ash body, The body itself weighed under 3 pounds. The
neck, also Warmoth is a year old and is a fat back profile with lovely
flame maple. I like big necks on light bodies. Kind of like my taste
in gymnasts. There is three-way switch and a multi throw dual switch
designed by Kent Armstrong available through WD that engages series/
parallel and splits on both pickups as well as providing a kill switch
when in the center position and the neck pickup is engaged, cool for
stutter effects.
Charles, Thanks for the kind words, Because there was so much
back ground noise where our booth was, I wasn't aware I was shouting
in to the mic. I did a lot of shouting at NAMM!!
On another topic I did a video of my own at Keith McMillen's booth
of their new usb foot controller which they had working to the point
of being able to see its Computer graphics behave on screen but not
much in the way of a real world demo, The XYZ axis functionality of
the soft pads is very intriguing but also seems capable of false
triggering issues with a heavy handed foot, and the multi- tasking
possibilities make my head spin. Also a lack of a raised tier for the
second row of switches seems to also spell some potential for false
triggering of front row switches. The fact that it only has one
expression pedal input and an 1/8th inch one at that was a bit
annoying. Anyone know of a commercially available expression pedal
that uses and 1/8th inch trs jack? I didn't think so. The midi port is
an option, not built in to the unit. The thing is so sleek and slim
and light weight and uber powerful, so the afore mentioned gripes
aside its pretty vast. Talk about too many choices, one could be
simultaneously commanding Abelton and a Video program with this thing
without breaking a sweat, but it would seem to demand a steep learning
curve and some serious foot finesse. I'll post the vid at some point
if people really want to see it but I'm busy right now and its not a
high priority. PS Hey Zoe how do you like the K-bow? Now that seems
like a really cool device and makes me want to save my shekels for one
and a Togaman viol-guitar, or just get the K-bow and go all Jimmy Page
on my tele BooYah!
Bill