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Re: OT The Sub Pulse was West African/African Diaspora rhythms: 3/4,4/4, 6/8, 12/8
Hello,
Ok, let me see if I have this now.
The pulse is 4/4 because of the drums on the beat, but the "sub-pulse" is
the bass & the palm muted guitar because they play on the sub-division of
the beat?
> ----- Original Message -----
> From: Rick Walker <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Subject: Re: OT The Sub Pulse was West African/African Diaspora rhythms:
>3/4, 4/4, 6/8, 12/8
> Date: Mon, 13 Sep 2010 11:58:32 -0700
>
>
> Interesting points from Andy in our discussion about swing and
> other accurate/inaccurate mapping systems.
>
> Also, that pesky sub pulse.
>
> I'd really like to weigh in on both when I've got time but this is
> the absolute
> worst crunch time for publicity for the looping festival and I"m swamped.
>
> This is just a note to say I'm not ignoring this thread, it just
> may be towards the
> end of the week when I can sit down and compose my thoughts
>
>
> Here's an example though , to illustrate, for the time being
>
> take 'Mirror in the Bathroom' by the English Beat
>
> The song is in 4/4 (pulse = 4)
> sub pulse is twice as fast (sub pulse = 8th notes)(i.e., the bass
> line's lowest common note value)
> fills in the tune (on snare or timbale) are frequently at twice that
>speed
> but are NOT the way the tune if felt or danced too. (embellishment
> = 16th notes)
>
> That's how I map tunes conceptually in analysis (and also in
> attaining a feel for the 'groove' of a tune
> if I"m learning it for the first time.
>
Mark Showalter
Minden Jot!
myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
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