having one chord playing all the way through is not so much the
problem as having the same sound sample repeat itself through your
piece... that's just mechanical
Am 03.10.10 22:21, schrieb Toby G:
F094041E89984D939DEC35FF0FB64B09@NORBY11"
type="cite">It's actually more challenging and interesting to have
a single note background, then you can try all sorts of modes over
it. If you can do two asynchronous loops you can have one with a
single note background, then the other looper brings in a chord
every once in a while to change the harmonic structure. And those
can vary in the performance according to your taste.
t
----- Original Message ----- From: "Mark Hamburg"
<mark@grubmah.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 03, 2010 11:55 AM
Subject: Fighting the temptation to noodle
In endeavoring to strip my rig down, I've been playing with just
the looper in the Line 6 M13. This is fun, but I find myself
recording a loop and then just leaving it be while I play over the
top. From a live looping standpoint, this feels like cheating.
Everything turns into one long ambient guitar solo over a static
loop which isn't really what I was after. Yes, I could go play
with half speed and reverse and sometimes I do, but I still end up
back at the soloing over a static loop point fairly quickly. Any
advice? Does feedback work well enough on the M13 to make it
viable for loop evolution? (I'm finding my existing expression
pedals don't seem to give all that precise control with Line 6
equipment.) Or is it time to wire the EDP back into the set up?
Mark
|