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Hehe, yup, that's always the problem with pitch transposing, the need to sample long enough to have enough information to be able to decently create the new pitch. I've never heard anything sounding sufficienty close to the real, and will bet the best option will be to accept this, and use whatever pitch transposer is found reasonably suitable for deliberately creating a somewhat artificial effect. I think the Eventide PitchFactor comes fairly close to a nicely useful downtuning, plus it'll provide many other useful effects. It's a pedal too, and with MIDI to go,so.. andy butler wrote: > hi Rick, > yes and no ;-) > > It's a true pitch shifter, but it uses really > small chunks for it's granular processing. > (relying on identifying the pitch). > > The small chunks make for a synthetic sound, > but mean that the POG can get zero latency when shifting down. > > Be aware, the pitch up on the Micro Pog does have latency (unavoidable > for upwards pitch shift) > and it's a bit flat in pitch (== bend the nots up a bit) > > andy > > Rick Walker wrote: > >> I have the Micro Pog (which is awesome) but, from my understanding and >> , certainly from the sound, >> this instrument generates a synthetic octave up and octave down and is >> not a true pitch shifter. >> >> Do I have this right? It certainly sounds synthetic but wouldn't >> sound very organic with , say, >> a flute. >> >> rick walker -- rgds, van Sinn