Support |
Hey Andy B et all, The way I built that track now that i analyze it, actually didn't use the first set of long scripts for creating forms out of individual tracks, but it did use the group select scripts, though I built my tracks in the following flow. I first created a master track on track 1 but with out any content, in essence a blank loop that i recorded just prior to beginning the improv. Then after a bit of introductory melodic playing I started to record using a quantize replace preset set to a factor of 16, until I built up a percolating sus 2 chord sequence as my I chord, and proceeded to play thematically over that, as I armed track 2 by pressing a play/stop preset ( arming sets the track to the same length as the master track), at which point I started to recorded another sus 2 chord a perfect fourth above the original I chord on my new track, Using the same kind of quantize technique. As soon as I had enough of a percolating quantized IV chord going i stopped that track again allowing the original I chord to play unaccompanied. I moved on to track 3 created a V chord, and then track 4 was my IV chord track repeating the same procedure as above, and finally on track 5 i recorded a rhythm part that would play no matter which of the other tracks I chose, because as I stated before, tracks 5-8 are included on each of my 4 groups. Then I started playing with the form using the group buttons to switch chord was my tonal center. In the building of each track i obeyed the rules of not making the chord too complex leaving more room for my melody playing to fill in the extensions. I tend to avoid stating the 3rd of a given chord when developing these kinds of loops to give myself some leeway to modulate hence the G sus 2 tuning i was using. When I try to explain a strategy like this i always feel like I'm leaving some detail out that will leave people scratching their heads, which is why I get frustrated sometimes trying to explain this stuff:-) Thanks for the feedback and kind words Bill