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On Sun, Jun 5, 2011 at 11:24 PM, mark francombe <mark@markfrancombe.com> wrote: > But what Per hinted at really was, the EDP is a wonderful beast, but its > better to work with what it does best, rather than trying to figure out a > way to get it to do something, what its best at is radically changing the > loop, It's funny to remember that Matthias actually designed the EDP for exactly the opposite: make slow and smooth transitions of a loop's content into new content. His style as a live looping artist focuses on morphing a loop over time in an organic flow - typically working with Feedback to do this. On Sun, Jun 5, 2011 at 11:27 PM, mark francombe <mark@markfrancombe.com> wrote: > 5? funny number.. I just kept it set to the highest number of loops I would ever need for certain songs - and that happened to be five. Here's the song that requires making five loops: http://vimeo.com/2818198 Normally I prefer working with as few loops as possible, sometimes speed shifting a loop to get a new time measure and tonal transposition (for "chord vamps"). But that's since I migrated to Mobius. BTW, the video was done with Mobius, but everything except the speed shifting works just as well on an EDP. Per