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On Tue, Sep 6, 2011 at 11:54 AM, Michael Peters <mp@mpeters.de> wrote: > a nice collection. Good luck with this Per! Will you actively advertise > for > this in the film making scene somehow? I wouldn't know how to do that. > > -Michael Hi Michael, Thanks for the positive vibe! :-) I will first talk to a specific library music label. I have listened through all of their catalog and noticed they still lack music of a kind that I can make. I'm not interested in all the admin work so I really hope I can sneak in there. The very idea with providing library/production music is that the catalog has to be so big that there is a minimal risk for a customer to find that another player is using the same music as he has rented for a film spot or whatever. So being a small indie provider of prod music isn't really an option - I'm doing it at this stage more to mock up some kind of portfolio. The media music I have created in the past has all been commissions for certain projects; to score film (in DVD 5.1 mixing is a big point) or making pieces for radio programs and nothing of this old work really applies to library/production music. Greetings from Sweden Per Boysen On Tue, Sep 6, 2011 at 12:08 PM, mark francombe <mark@markfrancombe.com> wrote: > And I´m wondering what prices you are asking for that, Im noticing that > you > need to know distribution. What would you do about internet. We cannot > track > how many people go through our programs (well we can, but a customer > would > not PAY EXTRA for the music, if it was many views) Good point, Mark! I'm up to follow the usual tariffs. As I wrote to Michael's post the idea is to offer music for immediate and convenient use in media productions. This music should then be pre cleared regarding synchronizaton and mechanical rights. As a composer there is now a legal option to register work as pre cleared and this is a huge time and money savior for media producers looking for music. The rule of thumb when producing pre cleared library music is that the composer/producer gets paid for his time rather than for how frequently the music is actually being used. So I imagine you can't be picky about that - as the case is when it comes to non pre cleared music. For a long time the Swedish PRO STiM did not allow members/musicians to compose and produce recordings and license them to a user under a one-and-only price tag. I think it is great that this is no possible, since all music isn't really to be compared with inventions regarding immaterial rights. Per