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My friend, Lindsey Walker asked me for suggestions about playing in 11/8 and I posted this back to her at Facebook.For all the 11/11/11 11:11 participants I throw this out as food for rhythmic thought
((((((((((((((((((((((((((((((((((((((((((((((((())))))))))))))))))))))))))))))))))))))))))))))))) "Well there are some cool approaches one can use." One is that you can subdivide 4-4-3 Ta is pronounced 'Tah' with an accent ka and ki are both pronounced 'kih' ta is pronounced 'tuh' di is pronounced 'dee' mi is pronounced 'mee'remember that all sounds should have as short an envelope when you are singing them as
possible so that you can eventually sing them at high speed. So this 4-4-3 subdivision of 11/8 is sung: Takadimi Takadimi Takitaor another cool approach is to treat the rhythm like a 12/8 Blues or African styled rhythm just minus one note.
The phrasing would be: 3 -3 -3 - 2 Takita Takita Takita TakiI've written these subdivision with a space in between them so you can see the audible phrase but there is no space between them rhythmically....they should represent 11 even notes.
Here's a beautiful game for learning a rhythm thoroughly. I do this in the shower every day with a different time signature. you each sing each exercise several times (in the first example) a (parenthesized syllable) is not said out loud (just sing it silently in your mind) ps Takadimi Takadimi Takita Takadimi Takadimi Taki(ta) Takadimi Takadimi Ta(kita) Takadimi Takadimi (Takita) Takadimi Takadi(mi Takita Takadimi Taka(dimi Takita) Takadimi Ta(kadimi Takita) Takadimi (Takadimi Takita) Takadi(mi Takadimi Takita) Taka(dimi Takadimi Takita) Ta(kadimi Takadimi Takita) Now try the same exercise backwards Takadimi Takadimi Takita (Ta)kadimi Takadimi Takita (Taka)dimi Takadimi Takita (Takadi)mi Takadimi Takita (Takadimi) Takadimi Takita (Takadimi Ta)kadimi Takita (Takadimi Taka)dimi Takita (Takadimi Takadi)mi Takita (Takadimi Takadimi) Takita (Takadimi Takadimi Ta)kita (Takadimi Takadimi Taki)taYou will now have sung this time signature starting on every possible note and ending on every possible note. Now start improvising and play syncopated rhythms that leave out some of the notes and you will begin
to move towards a cool melodic/rhythmic approach to playing in 11/8.Remember, you probably alread know how to play a zillion rock, r&B, soul and funk rhythms in
4/4 well, that's just this game applied to Takadimi Takadimi Tack on that last phrase of 3 to anything you know and , voila, You have a very cool new rhythm in 11/8