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Great music, Kevin! I enjoyed this very much. > Does it happen to you too that your own immediate assessment of your live > music is very different to what you feel about it later? An amazing mentor once told me-- what it feels like to the performer may have little to do with what it sounds like for the listener. The same person also told me-- practice the craft -- and the craft will shine even when you are not feeling it. D On Dec 1, 2011, at 8:35 AM, Kevin Cheli-Colando wrote: > This is sounding really nice to me as well. Wish I could mix my loops > up as well as you seem to be able. > > As for your last question, I often find that performance and listening > are two completely, often unrelated, experiences for me. > > Kevin > > On Thu, Dec 1, 2011 at 12:55 AM, Michael Peters <mp@mpeters.de> wrote: >> here's a 45 minute recording of an improvised livelooping set that I did >> last Saturday. What was most interesting to me about it was that I had >> some >> plans what to do on the evening, but for various reasons (difficult and >> loud >> venue, etc), it went completely elsewhere, and I found myself following >> short term impulses for the complete set, not really knowing what I was >> doing. >> >> I was completely convinced afterwards that the set had been a complete >> failure, even when people told me they quite liked it. Then two days >> later I >> listened through the recording and found that the rapid succession of >> style >> changes was quite interesting. >> >> http://veloopity.bandcamp.com/album/vorstadtprinzessinnenklangwellen >> >> Does it happen to you too that your own immediate assessment of your >> live >> music is very different to what you feel about it later? >> >> -Michael >> >> > > > > -- > Till now you seriously considered yourself to be the body and to have a > form. That is the primal ignorance which is the root cause of all > trouble. > > - Ramana Maharshi (1879-1950) > > Sound and Vision: http://www.minds-eye.org > Video http://www.vimeo.com/user877640/videos >