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On Tue, Jan 17, 2012 at 5:46 AM, Gmail <k3zz21@gmail.com> wrote: > I've always, for one, wondered how the process of copyrighting your > music goes. But I also wonder is it worth copyrighting something totally > improvised? About receiving compensation as the creator when your improvised works are being used: I talked to both my PRO and independent publishing partners about this and the rule in all territories (countries) is that you need to register improvisations as compositions. This may seem weird at first, but If thinking about it there isn't something like a defined border between composition and improvisation. A composition can very well contain directions for an improvisation to be carried out, like for example the extreme "play anything". A registered composition needs to have a name and a duration time. Some genre tagging may also be asked for. Greetings from Sweden Per Boysen www.perboysen.com http://www.youtube.com/perboysen