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Hi Andy,Yes it is true that the Ebow sounds very different on an instrument with a magnetic p/u, the reason for that I mentioned in my description:"The (Ebow's internal) amplifier is not very powerful and is easily driven into square wave clipping, which is plainly audible in an electric instrument when the excitation coil is positioned above the instrument's own pickup."That squarewave distortion provides much of the characteristic tone associated with the Ebow,The original Ebow demo tape has some -expert- examples of arpeggios and other techniques.. it's stunning how good that demo still is.-CZCharles Zwicky wrote:
Here's my simple explanation:
Nice explanation. (especially about the 2 coils, I didn't know that)
I'd add (more explicitly) that the ebow sounds very differenton an instrument with a magnetic p/u.
The output coil in the ebow is 'picked up' directly by the magnetic p/u
in a guitar. That's why you get that heavily distorted tone, and why by
careful positioning of the ebow you can get a very precise control of dynamics.
(either move the ebow along the string, or lift it slightly to vary the distance
from the p/u).
To avoid the distorted tone you can use the ebow over the fingerboard,
but it has to be a long way from the p/u.
....obviously piezos are immune.
The shape of the ebow, where it contacts the strings, is not only
to make it easy to position. Drawing the ebow across the strings gives a light plucking action
that can help to start the note. (that's how the arpeggios described
in the manual are possible).
andy--