Looper's Delight Archive Top (Search)
Date Index
Thread Index
Author Index
Looper's Delight Home
Mailing List Info

[Date Prev][Date Next]   [Thread Prev][Thread Next]   [Date Index][Thread Index][Author Index]

Re: Not having musical training - the good and the bad (somewhat OT?)



Not to derail or get too silly but from my improvisational guitarist standpoint...
The Good:  It gives you a wide array of tools, clichés, patterns, 
theoretical approaches, etc to use at your disposal
The Bad:  It gives you a wide array of tools, clichés, patterns, theoretical 
approaches, etc to use at your disposal
I haven't played traditional jazz for over 4 years now. When I did, I was 
playing a regular house gig and totally immersed into jazz theory, where my 
musical training was totally beneficial and necessary. It has taken me 
almost that entire 4 years to purge most all of that shit out of my brain 
(consciously at least to the point where I can't easily retrieve it on the 
fly).  Now when I play free improv, I am not recalling all that theoretical 
memory, but the main thing I struggle with now is finger memory. For 
example, my fingers are just used to playing certain modes, patterns, 
voicings, etc.  I fight it constantly but can generally be successful at 
playing spontaneously.
I am getting ready to play piano. I've been playing the piano more lately. 
I can't read music on the piano, nor could I play a mode or chord quickly if 
you asked me to. I could figure it out with my knowledge of chord theory, 
but it would be useless in a performance setting.  Because I have no finger 
memory or immediate recall of theory and musical training at play or 
intervening when I am on the piano, I am finding that my improvisations are 
really, really fun and liberating. They feel totally unrestrained and 
expressive in the raw sense.   The cool thing is that I have the finger 
agility to express myself on the piano, I just couldn't tell you what I am 
doing.  Consider this an experiment. If someone asked me if I planned on 
taking piano lessons, I'd say hell no.  I want to keep my relationship withe 
instrument pure, raw, and without any skills or knowledge that will 
eventually intervene in my playing.  But we'll see how long I can maintain 
this, because occassionally I will play a freely improvised chord, and my 
brain says...hmmm, that sounds suspicously like an Dom7b5b9.   I'd rather 
not know.  I am sure over time will develop my own cliches, but for now I am 
going to take advantage of the newness.