Re: STRATEGIES for REHARMONIZATION in LIVE LOOP COMPOSITION

[Ed Durbrow <edurbrow@sea.plala.or.jp>]

On Jun 9, 2012, at 9:10 AM, Rick Walker wrote:

What are some tricks or strategies that you use to create either more complex harmony
(as opposed to purely modal or diatonic harmony) in melodic songwriting?

Either or … ? 

Use common tones to modulate. For example take the A in an F chord and use it as the 7th in a B chord to modulate to E.

To get away from model writing, try counterpoint, particularly chromatic.

So how could you do any of this with a looper?